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Guide 04 · Heritage

The Story of Traditional Nepali Jewellery

What traditional ornaments mean, where each style comes from, how they are made, and where Siddhartha Jewellers fits in.

Siddhartha Jewellers, PokharaUpdated 6 min read

In Nepal an ornament often says something before anyone speaks. A green-beaded tilhari tells you a woman is married; a jantar shows that a family has asked for protection; a tayo marks a Newar girl passing through a rite of life. The designs change from valley to hill to plain, but almost every one of them carries a meaning as well as its weight in gold.

This is a short history of those ornaments: what they mean, where they come from, and how they are made.

In this guide
  1. Jewellery that carries meaning
  2. Where the styles come from
  3. Inside a tayo necklace
  4. Ornaments through a Newar woman’s life
  5. How traditional pieces are made
  6. Old forms, new wearers
  7. Siddhartha Jewellers: our part in the story
  8. Questions and answers
  9. Sources

Jewellery that carries meaning

What traditional ornaments say
MeaningOrnamentsHow
MarriageTilhari, pote, phuli, naugediGiven by the groom’s side during the wedding and worn for life
Rites of lifeTikma, sheerbandi, tayo, tukiWorn at Newar Ihi and Bahra ceremonies, weddings and old-age Janko
ProtectionJantarA square amulet holding a mantra written by a priest or monk
DevotionTayo, crowns, necklaces for deitiesStatues of gods and goddesses are dressed in jewellery; the Kumari wears a tayo
BelongingKantha, chepte sun, bulakiWorn with a community’s traditional dress
Family wealthHeavy 22K and 24K piecesKept, passed down and remade for the next generation

Where the styles come from

Nepal runs in three belts from north to south: mountains, hills and the Terai plains. Most of the country's distinctive jewellery comes from the hill communities and the Kathmandu Valley.

Map

Regional jewellery traditions

MOUNTAINS · HIMALHILLS · PAHADPLAINS · TERAI 1Kathmandu2Pokhara34 Simplified outline · positions approximate
  1. 1

    Kathmandu Valley · Newar

    Tayo, luswan, sheerbandi, nyapu shikha, tikma, kalli anklets, tutibaggi

  2. 2

    Pokhara and the western hills · Gurung, Magar

    Kantha, naugedi, chepte sun, dhungri, bulaki

  3. 3

    Eastern hills · Limbu (Kirat)

    Kantha, bulaki

  4. 4

    Terai plains

    Bichhi silver toe rings, worn especially by married women

Across the hills and the Terai, Hindu marriage ornaments (tilhari, pote, phuli and sirbandi) are shared by many communities. The outline is simplified and the belts are drawn approximately.

The Kathmandu Valley: Newar ornaments

Newar jewellery is the most elaborate in Nepal, and much of it belongs to ceremonies. The best known piece is the tayo, a hollow six-sided pendant hung on a necklace of decorated panels. Scholars link its design to the founding legend of the valley in the Svayambhu Purana, in which a lake is drained and the Svayambhu stupa is built. A pair of donor statues from 1804 at Kwa Baha in Patan already show a woman wearing one.

Around the tayo sit other ornaments: the crown-like luswan (“golden flower”) worn by brides, the three-row sheerbandi across the forehead, the five-chain nyapu shikha, the green-stoned tikma necklace that families without one can hire for the day, heavy silver kalli anklets, and the tutibaggi, which the father-in-law places on the bride's feet.

Pokhara and the western hills: Gurung and Magar traditions

In the hills around Pokhara, Gurung and Magar women wear the kantha, a necklace of gold beads joined by small pads of red felt, with their traditional dress. Other hill ornaments include the nine-bead naugedi, flat chepte sun earrings of embossed sheet gold with sun motifs, the flower-shaped dhungri set with rubies, emeralds or pearls, and the bulaki, a nose ornament whose pendant reaches the lips.

Marriage ornaments across the country

The tilhari, pote and phuli are worn by married women across the hills and the Terai. In the Terai, married women also wear silver bichhi toe rings.

Inside a tayo necklace

A tayo necklace, called tayo-bizakani, is built from several named parts, each with its own symbolism. This diagram follows the description of a 19th-century example in the Los Angeles County Museum of Art.

Diagram 1

Anatomy of a tayo-bizakani

12345
  1. 1

    Tayo

    The hollow, six-sided pendant. It may hold five unbroken grains of rice or nine gems.

  2. 2

    Nagpas (snake heads)

    Always an odd number, usually five to thirteen, each crowned with a gem. Said to guard riches.

  3. 3

    Biza (panels)

    Twelve panels, each with a peacock raised in repoussé.

  4. 4

    Paka (clasp)

    A round clasp with a twenty-petal flower and a dragon.

  5. 5

    Central gem

    Pancha-rashmee: the five directions, five colours and the Five Buddhas.

Schematic drawing, not to scale. Source: Rubin Museum of Art, Project Himalayan Art (2023).

Ornaments through a Newar woman’s life

Diagram 2

Life rites and the ornaments worn at each

  1. Childhood

    Ihi

    A girl’s symbolic marriage. She wears the sheerbandi, the tikma necklace and the silver sathwacha in her hair.

  2. First menstruation

    Bahra

    A period of seclusion; the sheerbandi and tikma are worn again, and in some families the tayo.

  3. Marriage

    Wedding

    Tayo, luswan or sheerbandi, and the tutibaggi placed on her feet by her father-in-law.

  4. Old age

    Janko

    Old-age rites; the first is held at 77 years, 7 months and 7 days. Women who have celebrated Janko traditionally wear tuki ear ornaments.

Practice varies from family to family. Sources: Bhaktapur.com; Rubin Museum of Art.

How traditional pieces are made

Most traditional ornaments are still made by hand, in steps that have changed little over generations.

Diagram 3

From raw gold to finished ornament

  1. Step 1Designsize, weight and motifs agreed
  2. Step 2Alloygold melted to the chosen purity
  3. Step 3Formrolled to sheet, drawn to wire or cast
  4. Step 4Decoraterepoussé, filigree, granulation
  5. Step 5Assembleparts soldered, stones set
  6. Step 6Finishpolished bright, matte or antique
TechniqueWhat it isWhere you see it
RepousséMetal hammered from the back to raise a design in reliefThe peacock panels of a tayo
Embossed sheet goldThin gold sheet pressed with a patternChepte sun earrings
GranulationTiny balls of gold fused to a surface to form beaded bordersBorders around the turquoise of a tayo
FiligreeFine twisted gold wire soldered into open, lace-like patternsEarrings, pendants, bridal sets
Stone settingGems held in gold collars or clawsRubies, emeralds and pearls in dhungri; turquoise and coral in Newar pieces
Bead stringingGlass beads, gold beads and felt threaded into strandsPote, tilhari, naugedi, kantha
Fire gildingGold and mercury applied to copper alloy, then heated; an older method for ritual piecesHistoric Newar ornaments (mercury is poisonous, so it is not used today)

Old forms, new wearers

Tastes change. Some old ornaments, such as the dhungri earring and the bulaki, are now seen mostly on older women in remote areas. Others have joined the tradition only recently: the mangalsutra came to Nepali weddings from India in the last few decades, the rani haar has become popular with brides, and chokers, once optional, are now part of most bridal sets.

ThenNow
Heavy pieces made once and kept for lifeLighter versions of traditional designs that can be worn more often
Community-specific designsDesigns borrowed across communities, often with an antique finish
Pote and tilhari as the main wedding necklacesPote and tilhari alongside chokers, rani haar and mangalsutra
Old gold melted and remadeHeirloom pieces restored and worn as they are

Siddhartha Jewellers: our part in the story

Siddhartha Jewellers was founded in Pokhara in 2008. Since then we have served families in the city and the surrounding hills with gold, diamond and silver jewellery, from everyday pieces to complete bridal sets, along with silver plates, idols and puja items.

Founded2008
WherePokhara, Nepal
CollectionsGold, Diamond, Bridal, Antique and Silver Items
OpenMonday to Saturday, 10:00 AM to 7:00 PM

Questions and answers

What is a tayo?

A tayo is a hollow, six-sided gold pendant worn on a necklace of decorated panels and snake heads. It is a Newar ornament worn by brides, by girls at life-cycle rites, and by the Kumari.

What jewellery do Gurung and Magar women wear?

The best known is the kantha, a necklace of gold beads joined by red felt, worn with traditional dress. Other hill ornaments include the naugedi, chepte sun earrings, the dhungri earring and the bulaki nose ornament.

What is a jantar?

A jantar is a square gold or silver amulet that holds a mantra written by a priest or monk. It is worn for protection and good fortune.

Which nose ornaments are traditional in Nepal?

The phuli, a small nose pin worn on the left side, is worn by women of most communities. The bulaki, whose pendant hangs to the lips, is traditional among Magar, Limbu and Thami women.

Sources

  1. Rubin Museum of Art, Project Himalayan Art Katherine Anne Paul, Tayo-bizakani ritual necklace with naga, peacock and dragon motifs (2023)
  2. Bhaktapur.com Traditional Newa Jewelry
  3. Onlinekhabar English Nepal’s 10 most popular jewellery items for women (6 February 2022)
  4. Onlinekhabar English 11 jewellery items that you cannot miss at weddings in Nepal (1 February 2022)

Written by the team at Siddhartha Jewellers, Pokhara. Facts about history and customs are taken from the sources above; customs vary between families and communities.

Personal Consultation

Visit our atelier in Pokhara, or speak with our jewellery concierge